this is dedicated… 2019
this is dedicated is… a multi-dimensional slice out of time that interfaces with the gallery space to the point where it becomes virtually invisible
it keeps a watchful eye out for latent emotional data from a specified era by peering into the intra-dimensional rabbit hole (IRH), a speculative system characterised by layers of grids that forms a peer to peer network protocol
the unintended or unforeseen effects of this layering of grids emerges by us passing through them using frames generated by code, the physical bits of the computer and the matrix of the screen
the quality of transmission and transformation varies depending on the interaction with the eye and the hand, the position of the observer and their mobility
a sterile simulation of the past uses significant objects as generators of emotion
further layering of simulation and emulation by the artist creates a back to front window and there is a passing through to a cold war anxiety, matching the paranoia that emits the all pervasive digital gas of the present
“between art and science, or for that matter, between art and “reality”. The object… The grid appears in… art in the form of Windows, the material presence…” Kraus
also, it is evident that Windows are simultaneously opaque and transparent
emotion brings memory sharply into focus with a Proustian rush: ‘the essence of the past’
it becomes an investigation
mediated by digital means it becomes a portal into the subterranean cloud
text generated in bits as Vera Molnar supposed
keeps going until art arrives and the words display a novel understanding of the corpus
of the body
of past enquiries and the stories of disappearing generations
an emotional connection speeds the transference of attachments held in the cloud and asks how these lightning connections alter us as their indifference proliferates to a global overload
[meat generated text – 2019]
